Saturday, June 30, 2012

13 Ways of Looking at a Road Trip: 8, Collection

Sometimes--well, rather often--others say what I need to say far better than I can. 
I have been so many places I must be sunlight. I have been diffused by clouds. To hike to the top of the mountain, I must spend the afternoon facing the steep slant of earth, my hands in brambles. Only once I am high enough can I turn and see the tin roofs and straight beds of flowers, dropped to an Euclidian flatness. Where have I been? Listen, I have been diffused by clouds, by everyone who has touched me, and just like you I am a radiation destined for the earth. --from Syzygy, Beauty by T Fleischmann
 This could be the very minute I'm aware I'm alive. All these places feel like home. --from "Chocolate" by Snow Patrol

I wrote about Kansas, I wrote about Illinois, I wrote about Indiana; wherever I was. And if I moved tomorrow I'd write about where I showed up, no matter where it was. And so my attitude is this: where you live is not crucial, but how you feel about where you live is crucial. --William Stafford
I love it here. I love the curtains, the ruffles. I love being in the window and off on our own. --my mother, at Carolyn's Essenhaus for lunch in Arlington, KS, with my grandma Lentz

If I ever get around to living, I'll take the end of every day, tie it up to every morning, and sail away. --from "If I Ever Get Around to Living" by John Mayer
We have never held hands before; I have simply reached for his in the dark and held him while he holds me. I want to see our hands on the rough floor, but they are only visible every block or so when the car passes beneath a streetlight, and then, for only a flash. Ben is my closest friend because he lives next door, we are the same age, and we both have little brothers who are babies. I wish he were in the same kindergarten class as me, but he goes to a different school—one where he has to wear a uniform all day and for which there is no school bus. --from "First" by Ryan Van Meter
You are the bravest girl in the world. --my grandma Jackson, when she opened the door to me upon my arrival in town
I toured the light; so many foreign roads for Emma, forever ago. --from "For Emma" by Bon Iver

Where friends of mine once lived,
and I came there to understand: it was like
seeing, and knowing amid what you see.

A meadowlark brought me back,
just flying its road and singing,
being alive. I brought home this tumbleweed.
--from "A Gift for Kit" by William Stafford
Rollin' through these hills I've known I'd be comin' / Ain't a man alive that likes to be alone / Been a while since I've seen my lady smile / Have I been, have I been away so long? --from "For the Summer" by Ray LaMontagne and the Pariah Dogs

But when you go out and put yourself in real relation to real people, or even just real animals, there's a very real danger that you might end up loving some of them. --from "Pain Won't Kill You" by Jonathan Franzen

13 Ways of Looking at a Road Trip: 9, Waking


My grandparents shape my writing, are always present if not by name. I'm always writing about them, the way their stories have formed my own relationships, the way I could still watch hours of Lawrence Welk if I knew when it was on.

But to write for them, that's another story. Here's what I wrote over a year ago when I tried to compose something for my grandma Lentz.

I have to start at the beginning. Her hair. White yellow perm. Slack earlobes never pierced but never bare. Clips, elaborate. Her feet, in slippers, in slip-ons. Her pants, cotton. She moves slowly now, with help. Push number 2. That's where she was. Push number 2 and feel the elevator take its lift, after a dip, a rise, and brief fall. 2, and turn right. 2, and she's there, on her feet, in a skirt, selling children's clothes. I want to hear her speak, hear her laugh, hold her hand.

Where do I start? The Sound of Music. I see Grandma when I see or hear Julie Andrews. I see Grandma longing to sing, be free. I see the bubbled out walls, the falling ceilings, the Aussie banners, the koala clock. She kept Queensland with her, though I don't know where it all came from. She surely didn't bring it in her one trunk. Her family came, sent, brought. They sent her Vegemite, calendars of ocean. She couldn't even see wheat from her window.
All I get are fragments, memories that I can't form into any tribute. I hug her, and she makes the sound of love. I hold her elbow as she eases down steps, every movement a waterfall. I see her shake as she tells us she watched the sycamore in her yard split in two and crash into her window in the dark, like the earth falling in.

On a twin bed, she sleeps under a quilt my grandpa had picked out, floral squares with a pink border. I used it for a while in grad school, the weight just right for the heat of summer, but took it back home when I found something more my style. Its edges skirt the floor in full coverage; my grandma is blanketed in memory, though sometimes, now, she forgets what she has told you.

One morning in Hutchinson on the trip, after only two hours of sleep and the physical sickness that comes with its lack, I asked my grandma if I could take a nap on her bed while she showered, while my mother ran errands. I curled up on the quilt, on her pillow, and tried to shut my eyes to the tv in the other room, to the plant with four leaves that I gave her several years ago, to the clock beside the door ticking toward noon. I tried to sleep and kept thinking of the return of things: of her to a single bed, of me to my home, of treetops to ground. I remembered mornings at her house as a child, after sleeping over, and climbing into the warmth of my grandparents' bed, Grandpa already up tending to cats and applying Ben-Gay. Grandma and I, we would push down the floral bedspread and raise our legs against the pink walls to do the bicycle. Pump, she would say, to get our hearts going. Our legs ran circles in the air, peddling nowhere and everywhere, so we would be ready to walk. Her nightgown bared her lower legs, English white like mine, and we giggled, together riding into another day.

Grandma Lentz and I, from several years ago.

***

My memories of my grandma Jackson (or, Grandma Over-the-Bridge, as I knew her when I was young), are less physical but intimately tied to care: the way she hemmed up my pants, always 4" too long; the way everything was always in its place at their house, so you could depend on the constant of family; the way she slips coupons and dollars into my pocket; and the food--the food!

I remember her always sitting last, at the kitchen end of the table, spooning sides onto her plate after everyone was half into theirs. She never complained, just kept watch over everyone else's satisfaction. I sat near her, always, and the men farther down. I sat near her because I didn't know her as well as my grandma Lentz and because I wanted to, because I could see her strength and love for everyone that would come through in those small moments.

Sometimes she and my grandpa would take my brother and I home with them after church on Sundays, where she'd fix lunch and we'd play pool or computer games that we didn't have at home. I only remember sleeping over once or twice, and the shadow of the spider on the wall next to the bed that led me to spend the rest of the night on the couch leering at dark corners. But it was a good memory, after all. All good. And her specialty, which I even knew at the time was special, was her grilled cheese sandwich. She buttered the bread so evenly, sliced from the block of Velveeta so cleanly, browned each side so perfectly. I have tried and tried to make grilled cheese sandwiches as good as hers over the years (which is especially special because I generally can't eat cheese like that) but have failed.

I must not have told her, though, how much care I felt in her grilled cheeses because, later in the day of no sleep and attempted nap, when I returned to my grandparents' house where I was staying for the first time in many, many years, when she asked if she could make me something to eat and suggested a grilled cheese sandwich, I said, "Would you really?"

She looked surprised. Why would my face light up from amid the nausea and exhaustion, when just a few minutes ago nothing sounded good, at the thought of a mere sandwich?

"Your grilled cheese sandwiches are the best I've ever had," I told her. "I would definitely eat one right now and love it."

So she did. She made another perfect grilled cheese sandwich. Even fixed tomato soup on the side. And I felt better.

Each morning of my stay, she set out a plate, napkin, knife, fork, spoon, juice glass, and coffee cup for me. She sliced fresh zucchini bread and opened the English muffins, butter, and three kinds of preserves. I gave her a hug each morning when I left, something I wish I could have done more when I was young. It was always goodbye then, until the next time when my parents would take me "over the bridge" to their house in South Hutchinson. This time, it was goodbye until later in the day, until the next morning and the next hug. She's smaller than me now, and I wish I could bring her fresh-baked breakfasts so she could rest. Wheat-free breakfasts, because I know she's allergic. I wish I could give her the opportunity to sit first, to save her troubled back, to not worry about her young ones out in the world.

I slept in her former bedroom while I was there, and she in my great grandma's former room down the hall. The first morning, she quietly made the bed while I was in the shower. The last morning, after I had been away for two nights, I found she had washed the clothes from the first half of my trip, and they were stacked neatly on the bed. Every night I turned on the fan for extra white noise and wished Scooter to stay quiet until daylight so she could sleep, so I would make as little impact as possible, so she could stay in bed until after we woke and walk into the kitchen fresh from dreams.

Grandma and Grandpa Jackson and I, from several years ago.



Sunday, June 24, 2012

13 Ways of Looking at a Road Trip: 7, Leaves

Man has created some lovely dwellings--some soul-stirring literature. He has done much to alleviate physical pain. But he has not ... created a substitute for a sunset, a grove of pines, the music of the winds, the dank smell of the deep forest, or the shy beauty of a wildflower.

--Harvey Broome, naturalist, on a roadside marker in North Carolina

As a frame, from the Appalachian Trail.
As shadow and definition, from Highway 441 in Tennessee.
As high as they can get, on the Konza Prairie.
As wild and quiet in the wind, at Sandhills State Park.
As destruction during a storm, at my grandmother's house.
As sparse and striving for green, off the highway in Oklahoma.
As expanse and relief, in Houston.
As a view, outside hotel window in Biloxi.
As a singular entity against the storm, on the beach in Biloxi.